Black Swan.
Before I enthusiastically recommend this movie, be warned that Black Swan isn't really a mainstream movie and the genre of this film is not acceptable for everyone mainly because of the shocking, disturbing, raw and real moments presented unless you are a fan of psychological thrillers or a fan of the director Darren Aronofsky's (Requiem Of A Dream, Pi, The Fountain, and The Wrestler), or maybe you are adventurous enough or you simply love Natalie Portman & Mila Kunis.
I was at lost for words and simply shocked the first time watching, and for the second time, I had a better grasp of it since the whole flow of the story is already in my head. And it was awesome! Now, where do I start?
Nina Sayers (played to perfection by Natalie Portman) is an innocent, beautiful, virginal ballerina whose sole purpose or motivation in life revolves only around ballet, ballet is everything she knows and nothing else. Her mind is fragile, weak, and pure just like a child but she is dedicated and strives for perfection in every dance move she makes. Nina doesn't have a single true friend, and being in the cut-throat business of the ballet world, all there is are rivals each vying to be the female lead one day in a play. She is supposedly raised single-handedly by her mother Erica (Barbara Hershey) and lives in seclusion in their apartment. Her room is like a cage with zero privacy and her mother, a failed ballerina constantly prying and fussing over her like an eagle/jailer, out of pure love but a suffocating one. Nina's room is also childlike, the walls painted in pink surrounded by stuffed toys and there is even a music box (with a ballerina figure) that plays her to sleep with the tune of Tchaikovsky's Swan Lake. This somehow indicates that Nina has a prolonged childhood and a repressed sexuality, a symbolism of lack of adulthood and maturity.
Nina is then picked by her ballet director, Thomas Leroy (Vincent Cassel) to be the Swan Queen in his new "stripped down" and "visceral" version of Swan Lake. The Swan Queen however, requires the performer to embody a dual role, one the White Swan, the other the Black Swan. Nina exudes the obsessively perfect and weakly innocent White Swan gracefully because she is exactly like the White Swan but the Black Swan is invisible in her. She is continually stressed by Thomas that she cannot embody the provocative & sensual Black Swan because she is always frigid, uptight and not being able to letting go of herself.
This is when Nina starts to struggle to control and release her inner Black Swan, her world starts to shatter and fall apart bit by bit with bizzare delusions and she starts to develop a rash on her left shoulder. All things start to go haywire with weird delusions and it is also attacking her already fragile mind. Accompanying on this dark and twisted journey of her metamorphosis into the Black Swan are hallucinations, seeing faces/images of her herself everywhere, self-mutilation (peeling off the skin from her finger like it was a banana peel, cutting off her nails, scratching herself), discovering her sexuality (self-pleasuring & sexual fantasies), she bottles up the stress and finally bursting, all of it leading to a psychotic break and an ambiguous ending, a happy one/a sad one. Happy because she is finally able to free herself from all the constraints in her life and sad because she lost control of herself over the Black Swan. The ending is entirely up to the audience to decipher, you can choose to believe it or simply not, just like the ending in Inception.
Nina Sayers (played to perfection by Natalie Portman) is an innocent, beautiful, virginal ballerina whose sole purpose or motivation in life revolves only around ballet, ballet is everything she knows and nothing else. Her mind is fragile, weak, and pure just like a child but she is dedicated and strives for perfection in every dance move she makes. Nina doesn't have a single true friend, and being in the cut-throat business of the ballet world, all there is are rivals each vying to be the female lead one day in a play. She is supposedly raised single-handedly by her mother Erica (Barbara Hershey) and lives in seclusion in their apartment. Her room is like a cage with zero privacy and her mother, a failed ballerina constantly prying and fussing over her like an eagle/jailer, out of pure love but a suffocating one. Nina's room is also childlike, the walls painted in pink surrounded by stuffed toys and there is even a music box (with a ballerina figure) that plays her to sleep with the tune of Tchaikovsky's Swan Lake. This somehow indicates that Nina has a prolonged childhood and a repressed sexuality, a symbolism of lack of adulthood and maturity.
Yes. Up till this point, Nina is suspected to be suffering from a certain mental health disorder. However, IMO, it is not entirely because of her high stress levels to wanting to succeed in portraying the Black Swan but it is also the influence of several key supporting characters in the movie.
Hot much? It gets even hotter afterwards.
And then there is the sexually aggressive ballet director, Thomas, who serves to tempt Nina by seducing her with the intentions of bringing out her inner dark side, without realizing that it would eventually lead to Nina's downfall.
All of the 3 characters seem to contribute to Nina's own increasing paranoia and also of her ailing mental health, ultimately leading to her downfall.
Black Swan is a beautiful disturbing masterpiece. It is intriguing, dark, intense, one that is so filled of suspense it leaves tight-gripping marks on your arms/hands, and it has a little bit of horror too. There are several shocking, distressing moments in the film that literally makes your jaw drop to the floor and feeling frightened for Nina instead of being frightened of her.
I certainly have the utmost respect for both Natalie Portman & Mila Kunis for the gruelling months they had to train for the ballet scenes and massively losing weight and injuring themselves, especially Portman where she dislocated her ribs and even had a concussion as she knocked her head. I mean, both of them have such small & thin frames, they got even smaller in the movie, especially for Portman.
Speaking of Mila Kunis, this is a breakthrough adult role for her, (loved her in Forgetting Sarah Marshall and the voice of Meg in Family Guy), and honestly she is very hot especially in the making out scene with Natalie Portman, it's wicked. She is just able to pull off the sexy, sensual, hot and outgoing Lily without being overshadowed by Portman's brilliant performance, though there is not much depth in her character compared to Nina.
Also, both Barbara Hershey & Vincent Cassel played perfectly as the mother and the controlling ballet director. The mother was really creepy and eerie and overbearing. Winona Ryder also made an appearance as Beth, the forced to retire veteran ballet dancer, and her character is somewhat of how Nina would turn out to be in the future.
Black Swan sucks you into its world from the very beginning of the ballet scene, it feeds your imagination, overwhelming your sense, the movie is not to say without flaws, but it is so wonderful that it covers the mistakes, and it indeeds leave you feeling exhilarated and mind-blowing.